Category Archives: Not Design

The end of November and fading technology

It's the last day of November, 2010. I realized today while talking to a coworker over lunch that I couldn't remember the last time I used an analog phone on my end. And it was only with a bit of thinking I could say that probably when I called my grandmother (one day late for her birthday, but in time for Thanksgiving) she answered on an analog phone. Unless her retirement community switched to VoIP, which they might have.

Last weekend I was sorting out cables in my office. The (internal, PCI, unknown baud) modem went in the trash. Just typing the words "PCI" and "baud" feels ancient to me. Some of this is personal, rather than technological: poking around inside of computers is something I did for fun and for pay in the late 20th century.

Typing the words "late 20th century" feels ancient to me.

I remember reading in the 90s, with some excitement, about Bruce Sterling's Dead Media project. At the time, I knew him as a science-fiction writer. The idea that media I was then using could die in my lifetime was compelling. It made sense to me.

I think it's routine now. I am not saying anything new (and I think I'm writing here mostly about old) but really just marking this moment, the end of the month of November in the year 2010. One of those future-sounding years we hit every year now. Marking it as a moment in the passing of the old, as is appropriate for Fall.

I probably chucked a half-dozen dead or dying technologies just sorting cables. Kept a few as well, because I'm bad at throwing things out. The miniature cassette recorder stayed. The CueCat stayed. I kept that thing (acquired from a Wired subscription, natch) with the intention of using it for something cool like scanning my book collection. I held onto it past when folks had written software to do just that for an individual, past when social book collection sites appeared, past the point where I wouldn't be able to use it with my computer without an adapter, and right up to the now, when I own a pocket-sized device which, when combined with an app (which is now owned by a company that was young when the CueCat appeared and which I worked for for a time) does that which I thought I might be able to get the CueCat to do as a narrow subset of its function.

(That sentence got a little tangled. History is tangled.)

I have one device which plays full-sized music cassette tapes in the house. It's  not a tape player, it's a hacky thing which fits into a PC drive bay (again, this sounds like I'm talking about vacuum tube diodes) so you can theoretically record your old mixtapes to MP3s. That's just one of a large number of possible old media projects taking up space in our house right now.

My children will probably never ask a stranger for spare change so they can call me from a payphone to ask if I can pick them up. Unless they're in a play, I guess.

This is normal. This is always happening. This may be happening at an accelerated rate, but that might also be an artifact of our inevitable Presentism.

In a few weeks I'm going to dress up in deliberately archaic clothing and walk through a pretend London. A few weeks ago, I dressed up in deliberately archaic clothing and danced at a club night that plays only music from a single decade but has been running for almost two. When I was a kid and visited London, it seemed to be a magical place where all the youth cultures of previous decades (at least the ones I cared about) kept on, incarnated in actual people.

I don't know if it's age, or the times, or the Internet, or whatever, but more places than London seem like that to me now.

Changing the audience

Still curious what the band was doing exactly during "Realize," and where all that melody came from, I press him about it. "There was no melody!," he exclaims. "Every melody everyone had  was in their head." The group played "all the strings on the bass at the same time and then me with this whammy pedal able to go two octaves lower and then bring it up and down like that. And then with various distortion pedals I could change the texture of the noise whenever I wanted so it wasn't just like one sound, it was just sort of moving along somehow. It was the best part of the night always and each night it was an experiment to see how long it would take for the audience to turn from like one state to another. A certain percentage of the audience would start sticking their fingers up at us or they would put their hands up in the air with their eyes closed, or do somethig physical. I pretty much would always go on as long as it took to change the audience."

"When it was clear that the audience was changed, totally–even if it was one person left with their fingers in the air or in their ears, we would wait for them to give into it, " Kevin explains. "Sometimes it would take forty minutes for that one individual to give up. When the audience was fully and utterly done, we had the signal process where I would look at Debbie and we'd go back to the final parts of the song."

— from "33 1/2: Loveless", by Mike McGonigal, a book-long essay on the album Loveless by My Bloody Valentine

Kevin Shields (of My Bloody Valentine) goes on to explain that they had to stop "experiments" like this because of accumulated hearing damage. Although I'm pretty sure they did it when I saw them just a few years ago …

Non-Design Year-End Book Wrap-up

I’ve been enjoying my extended winter vacation and have few thoughts about design to share at the moment, it being more of a sleepy end-of-year tree and gifts and food and friends and family time.

So, instead, I give you my unscientific top 10 non-design books of 2006. I’ve been keeping track of and writing mini-reviews for all the books I read for just over a year, and it’s interesting (to me) to look back over them. They’re mostly science fiction, fantasy, and graphic novels (which is not a surprise), but fantasy seems to be outpacing science-fiction by a bunch. Also, there are very few non-design non-fiction books, even less I ended up liking.

In no particular order, my favorite non-design-related books of 2006:

Three Days To Never
– Tim Powers
Excellent Tim Powers book.
If you’re not reading Tim Powers you really should be. Contains the
same crazy secret history stuff as the recent books (in this case the
Mossad, Einstein, Charlie Chaplin, out-of-body-experiences), but with
characters you care about a bit more.

Spin – Robert Charles Wilson
Best Hard-SF book I’ve read in a LONG while. Really amazing concept.
Feels very like classic SF while totally contemporary — like some odd
combination of Isaac Asimov and Gwyneth Jones.

Never Let Me Down – Kazuo Ishiguro
One of the most depressing books ever. Beautiful, yes, nice to see someone who is
thought of as ‘literary’ tackle science fiction and do it really well,
yes, worth reading, yes. One of the nice reviewers on the back called
it ‘elegiac’ which is NY Times type reviewer code for both "goddamn
depressing," which it is, and "kind of boring," which, while it is
excruciatingly slowly paced, it is not.

His Majesty’s Dragon – Naomi Norvik
Napoleonic wars with dragons. Excellent fantasy candy reading.

Lamb – Christopher Moore
Subtitle:
"The gospel according to Biff, Christ’s childhood pal." Look, NOTHING
could live up to that subtitle, right? But it almost does. Between the
mostly historically accurate details mixed with the wildly
inappropriate anachronisms and theological banter, I enjoyed it a ton.

Five Crazy Women – Carla Speed McNeil
By
far the best graphic novel I’ve read yet this year. Set in an ongoing SF world, this book is about one man and his relationships with crazy
women. You can read most of it here: http://www.lightspeedpress.com/

The Fate of the Artist – Eddie Campbell
Absolutely
brilliant. Eddie Campbell is now pretty much my favorite comics
author/artist — I have never figured out why navel-gazing
autobiographical stuff works for me in comics form but doesn’t
(usually) in prose. But this odd mix of bits and pieces and things —
funny comics, interviews with his daughter, historical meanderings —
all dancing around some personal
revelations — is just wonderful.

The Colorado Kid – Stephen King
184
pages of original pulp with an excellent, and perfectly inappropriate,
pulp cover. It is now apparent that
Stephen King really, really, really doesn’t care if his books will piss
people off by not being what they expect.

50 Degrees Below – Kim Stanley Robinson
Sequel to 40 Days of Rain.
I’m assuming that "60 feet of melted Antarctic ice-shelf water coming to KILL YOU" is
next. Technically about the dangers of radical climate change (and what
we could do about it) KSR valorizes (realistically) the DC bureaucrat,
the urban homeless, lunatics who live in treehouses, and rogue liberal
Senators. This book did, in fact, scare the pants off me.

Perfect Circle – Sean Stewart
Perfect
Circle has ghosts, punk rock, and Houston. It’s the most
amazing, sweetest, saddest novel I’ve read in a year or two, and will
break your heart in parts.